Kids Who Recieved the Reading Writing Owens Award at the Astor Home for Children
| Donna Reed | |
|---|---|
 Reed in the 1950s | |
| Born | Donna Belle Mullenger (1921-01-27)January 27, 1921 Denison, Iowa, U.S. |
| Died | Jan 14, 1986(1986-01-14) (anile 64) Beverly Hills, California, U.S. |
| Resting place | Westwood Village Memorial Park Cemetery |
| Occupation | Actress, Comedian |
| Years active | 1941–1986 |
| Spouse(s) | William J. Tuttle (m. 1943; div. 1945) Tony Owen (grand. 1945; div. 1971) Grover Asmus (m. 1974) |
| Children | 4 |
Donna Reed (born Donna Belle Mullenger; January 27, 1921 – January 14, 1986) was an American actress. Her career spanned more than forty years, with performances in more than 40 films. She is well known for her portrayal of Mary Hatch Bailey in Frank Capra's fantasy holiday film Information technology's a Wonderful Life (1946). Reed won the Academy Award for Best Supporting Actress for Fred Zinnemann'southward war drama flick From Here to Eternity (1953).
Reed is known for her work in television, notably every bit Donna Stone, a eye-class American female parent and housewife in the sitcom The Donna Reed Show (1958–1966), in which her grapheme was more than believing than most other boob tube mothers of the era. She received numerous Emmy Award nominations for this role and the Gilt Globe Award for Best TV Star in 1963. Later in her career, Reed replaced Barbara Bel Geddes as Miss Ellie Ewing Farlow in the 1984–1985 season of the tv set melodrama Dallas; she sued the production company for breach of contract when she was abruptly fired upon Bel Geddes' decision to return to the bear witness.
Early on life [edit]
Reed was born Donna Belle Mullenger on a farm near Denison, Iowa, the daughter of Hazel Jane (née Shives) and William Richard Mullenger.[one] The eldest of five children, she was raised as a Methodist.[ii] In 1936, while she was a sophomore at Denison (Iowa) Loftier Schoolhouse, her chemistry instructor Edward Tompkins gave her the book How to Win Friends and Influence People. The book is said to have greatly influenced her life. Upon reading it she won the pb in the school play, was voted Campus Queen and was in the top ten of the 1938 graduating class. Tompkins went on to work on the Manhattan Project.[three]
Subsequently graduating from Denison Loftier School, Reed planned to become a teacher but was unable to pay for college. She decided to move to California to attend Los Angeles City College on the communication of her aunt. While attending college, she performed in various phase productions, although she had no plans to become an actress. After receiving several offers to screen exam for studios, Reed eventually signed with Metro-Goldwyn-Mayer; even so, she insisted on finishing her education first.[4] [5] She completed her associate degree, then signed with an agent.[half-dozen]
Career [edit]
MGM [edit]
In 1941 after signing with Metro-Goldwyn-Mayer, Reed made her film debut in The Go-Abroad reverse Robert Sterling; she was billed as Donna Adams.
MGM before long inverse her name to Donna Reed, as at that place was anti-German feeling during World War II.[7] "A studio publicist hung the proper noun on me, and I never did like it", Reed once said. "I hear 'Donna Reed' and I remember of a tall, chic, austere blonde that isn't me. 'Donna Reed' – it has a cold, forbidding sound."[8]
Reed had a supporting part in Shadow of the Thin Man (1941) and in Wallace Beery's The Bugle Sounds (1942). Like many starlets at MGM, she played opposite Mickey Rooney in an Andy Hardy movie, in her case the hugely pop The Courting of Andy Hardy (1942). She was second billed in a children's picture show, Mokey (1942). Reed starred in Calling Dr. Gillespie (1942) and Apache Trail (1942), so did a thriller with Edward Arnold, Eyes in the Dark (1942), directed by Fred Zinnemann.
Reed had a support part in The Human Comedy (1943) with Mickey Rooney, a big pic for MGM. She was in Dr. Gillespie'southward Criminal Case (1943) and The Man from Down Under (1943), and was i of many MGM stars to brand cameos in Thousands Cheer (1943). Her "girl-next-door" skilful looks and warm onstage personality made her a popular pin-up for many GIs during World State of war Two. She personally answered letters from many GIs serving overseas.[nine] Reed starred in See Here, Private Hargrove (1944) and Gentle Annie (1945), a Western. She was in The Picture of Dorian Grey (1945) and played a nurse in John Ford's They Were Expendable (1945), opposite John Wayne. MGM was very enthusiastic about Reed's prospects at this time.[10]
Reed collaborated with her Denison High school chemistry teacher Edward R. Tompkins (who, equally noted earlier, worked on the Manhattan Project) on the 1947 MGM film The Kickoff or the End, which dealt with the history and concerns of the atom bomb. Reed helped provide the story but did not announced in the final film.[11] Reed was top billed in a romantic comedy Faithful in My Fashion (1946) with Tom Drake which lost coin.
MGM lent her to RKO Pictures for the function of Mary Bailey in Frank Capra's Information technology's a Wonderful Life. The motion picture has since been named as one of the 100 best American films always made by the American Film Institute and is regularly aired on television during the Christmas season.[12] Reed later said it was "the nigh difficult flick I e'er did. No manager ever demanded as much of me."[8]
Dorsum at MGM she appeared in Green Dolphin Street (1947) with Lana Turner and Van Heflin, a big hit.
Reed was borrowed by Paramount to make ii films with Alan Ladd, Across Glory (1948), where she replaced Joan Caulfield at the last moment,[13] and Chicago Deadline (1949).[14] In 1949 she expressed a want for meliorate roles.[xv]
Columbia [edit]
In June 1950 Reed signed a contract with Columbia Studios.[16] She appeared in two films which teamed her with John Derek, Saturday's Hero (1951) and Scandal Sheet (1952). She had a cameo in Rainbow 'Circular My Shoulder (1952).
Reed was the love interest of Randolph Scott in Hangman's Knot (1952), then was borrowed by Warner Bros for Trouble Along the Way (1953) with Wayne. She was loaned out to play John Payne'due south love interest in Edward Modest's Raiders of the Seven Seas (1953).
Reed played the part of Alma "Lorene" Burke, girlfriend of Montgomery Clift'southward grapheme, in the World State of war II drama From Here to Eternity (1953). The role earned Reed an Academy Honor for Best Supporting Actress for 1953.[17]
The qualities of her parts did not seem to ameliorate: she was the love interest in The Caddy (1953) with Martin and Lewis at Paramount; Gun Fury (1953) with Rock Hudson; Three Hours to Kill (1954) with Dana Andrews; and They Rode W (1954) with Robert Francis. Reed returned to MGM to human activity in The Concluding Time I Saw Paris (1954).
Reed began guest starring on goggle box shows such every bit The Ford Television set Theatre, Tales of Hans Anderson, General Electrical Theater and Suspicion.[18]
She continued to appear in features, usually equally the love interest, in The Far Horizons (1955) at Pino-Thomas Productions, playing Native American Sacagawea; The Benny Goodman Story (1956) with Steve Allen at Universal, playing Goodman'southward wife; Ransom! (1956) at MGM as Glenn Ford'due south married woman; Backlash (1956), a Western at Universal with Richard Widmark; Beyond Mombasa (1957), shot in Kenya with Cornel Wilde, during which she was injured while making the moving-picture show; and The Whole Truth (1958), shot in England with Stewart Granger for Romulus Pictures.[nineteen]
The Donna Reed Prove [edit]
From 1958 to 1966, Reed starred in The Donna Reed Show, a television serial produced by her so-hubby, Tony Owen. The show featured her every bit Donna Stone, the wife of pediatrician Alex Stone (Carl Betz) and mother of Jeff (Paul Petersen) and Mary Stone (Shelley Fabares). Reed was attracted to the idea of being in a comedy, something with which she did not accept much experience. She also liked playing a wife.[20]
The show ran for 8 seasons on ABC.[21] Reed won a Golden World Honor and earned four Emmy Award nominations for her work on the series.
Reed described her bear witness as "[...] a realistic movie of small-town life with an oftentimes humorous twist. Our plots revolve around the near important thing in America—a loving family." In the testify, Reed'south character, Donna Stone, is a loving mother and wife, just besides a potent, smart woman with feelings and a sense of sense of humour.[22]
But some feminists criticized the show, asserting that it promoted submissiveness among housewives. In a 1979 interview, Reed, who had raised iv children, responded, "I played a strong woman who could manage her family. That was offensive to a lot of people."[23]
In a 1984 tv set interview, Reed said of her bear witness, "I felt that I was making, for women, a statement. This mother was not stupid. She wasn't domineering, but she was bright and I thought rather forward-thinking, happily married."[24]
In a 2008 interview, Paul Petersen, who portrayed her son Jeff Stone in the series, besides shared his opinions about the product's significance:
That's what the show was really almost, the importance of family unit. That's where life's lessons are transmitted, generation to generation. There's a certain way in which these are transmitted, with love and amore...[The Donna Reed Show] depicts a better time and place. Information technology has a sort of level of intelligence and professionalism that is sadly lacking in current entertainment products. The messages it sent out were positive and uplifting. The folks you saw were likable, the family unit was fun, the situations were familiar to people. It provided 22-and-a-one-half-minutes of moral pedagogy and communication on how to bargain with the footling dilemmas of life.[25]
Later on career [edit]
When The Donna Reed Show ended its run in 1966, Reed took time off from acting to concentrate on raising her children and engaging in political activism.[26] She returned to interim in the late '70s, appearing in the TV movies The Best Place to Be (1979) and Deadly Lessons (1983) and a invitee stint on The Love Gunkhole.[27]
In the 1984–85 season of the goggle box series Dallas, Reed replaced Barbara Bel Geddes equally Miss Ellie Ewing. Of the show, Reed explained in a 1984 interview,
1 of the chief reasons Dallas is successful is the family unit. They all stick together. They may squabble, merely they pull for 1 another and alive under i roof, which is actually tribal, and information technology'due south non true anymore! And I recollect deep downwardly, everyone misses that.[24]
When Bel Geddes agreed to return to the function for the 1985–86 season, Reed was abruptly fired.[28] Reed failed in attempts to stop the 1985–86 season from going into production while she tried to get reinstated in the part of Miss Ellie.[28] She sued for alienation of contract, later settling out of court for over $one 1000000.[29]
Personal life [edit]
Reed, Tony Owen, and their four children in 1959. Standing is Penny Jane; seated from left are Tony, Jr., Mary and Tim.
From 1943 to 1945, Reed was married to make-upwardly artist William Tuttle. Subsequently they divorced in 1945 she married producer Tony Owen. They raised four children together: Penny Jane, Anthony, Timothy, and Mary Anne (the ii older children were adopted). Afterwards 26 years of matrimony, Reed and Owen divorced in 1971.
Three years later, Reed married Grover W. Asmus (1926–2003), a retired The states Regular army colonel. They remained married until her death in 1986.[1] [30]
Political views [edit]
Reed, who was a registered Republican, simply showed amity to the Autonomous Party, became interested in politics in particular during the Vietnam War when she became concerned that her oldest son, Tony, might be drafted. In 1967, Reed became a peace activist and co-chaired the anti-war advocacy group, Another Mother for Peace. The group's slogan was "War is not healthy for children and other living things."[31] [32] In a 1971 interview with the Los Angeles Times, Reed said,
In the showtime, we felt [Tony] should serve his country in a noncombatant role. But he wouldn't even accept that, feeling the whole affair was immoral. He didn't trust the government or the military machine. I've learned a lot from Tony.[33]
Reed supported Barry Goldwater in the 1964 U.s.a. presidential election.[34]
In addition to opposing the Vietnam State of war, Reed also opposed nuclear power plants. She supported Democratic Senator Eugene McCarthy from Minnesota in the 1968 presidential election. He was a strong anti-war abet.[35]
Death [edit]
Reed died of pancreatic cancer in Beverly Hills, California, on January 14, 1986, less than two weeks before her 65th altogether. She had been diagnosed with the illness three months earlier and told it was at a terminal stage. Her remains are interred in the Westwood Village Memorial Park Cemetery in Los Angeles.[29] [36]
Legacy [edit]
In 1987, Grover Asmus (Reed's widower), actresses Shelley Fabares and Norma Connolly, and numerous friends, associates, and family members created the Donna Reed Foundation for the Performing Arts. Based in Reed's hometown of Denison, the not-profit organization grants scholarships for performing arts students, runs an almanac festival of performing arts workshops, and operates the Donna Reed Center for the Performing Arts.[37]
Denison hosts an annual Donna Reed Festival.[38] Reed's childhood dwelling was located on Donna Reed Drive in Denison simply was destroyed by a fire in 1983.[39] Reed's Academy Award is on display at the W. A. McHenry Museum in Denison.[40]
Reed has a star on the Hollywood Walk of Fame at 1610 Vine Street.
In May 2010, Turner Classic Movies honored Reed as their star of the month[41] which saw Mary Owen pay a special tribute to her mother.[42]
In a 2011 article, actress Shelley Fabares (who played Mary Rock on The Donna Reed Show) wrote,
[Donna Reed] definitely became my 2nd mother. She was a function model and remains so to this twenty-four hour period. I still periodically hear her voice in my head when I am making a conclusion almost doing something, I hear her urging me on to make the stronger decision of the ii. I just adored her.[43]
Fabares likewise described Reed as "a real Iowa daughter. There is a bedrock decency to people in the Midwest. They are thoughtful and set to help you if something needs to be done. She never lost that Midwest girl."[43]
Radio [edit]
| Year | Title | Role | Notes |
|---|---|---|---|
| 1947 | Lux Radio Theatre | Episode: It's A Wonderful Life | |
| 1948 | Lux Radio Theatre | Episode: You Were Meant For Me | |
| 1949 | Lux Radio Theatre | Episode: High Barbaree | |
| 1949 | Lux Radio Theatre | Episode: Deep Waters | |
| 1951 | Lux Radio Theatre | Episode: To Please A Lady | |
| 1952 | Screen Guild Theater | Episode: The Mating of Millie [44] | |
| 1954 | Lux Radio Theatre | Episode: The Naked Jungle | |
| 1955 | Lux Radio Theatre | Episode: Rawhide |
Filmography [edit]
Motion picture [edit]
| Year | Title | Function | Notes |
|---|---|---|---|
| 1940 | Convicted Adult female | Inmate | Uncredited |
| 1941 | The Get-Away | Maria Theresa 'Terry' O'Reilly | |
| 1941 | Shadow of the Thin Homo | Molly | |
| 1941 | Babes on Broadway | Jonesy'south Secretary | Uncredited |
| 1942 | The Bugle Sounds | Emerge Hanson | |
| 1942 | The Courtship of Andy Hardy | Melodie Eunice Nesbit | |
| 1942 | Mokey | Anthea Delano | |
| 1942 | Calling Dr. Gillespie | Marcia Bradburn | |
| 1942 | Apache Trail | Rosalia Martinez | |
| 1942 | Eyes in the Night | Barbara Lawry | |
| 1942 | Personalities | Uncredited | |
| 1943 | The Human being One-act | Bess Macauley | |
| 1943 | Dr. Gillespie's Criminal Case | Marcia Bradburn | Alternative title: Crazy to Kill |
| 1943 | The Man from Downwardly Nether | Mary Wilson | |
| 1943 | Thousands Cheer | Client in Red Skelton Skit | |
| 1944 | Come across Here, Individual Hargrove | Carol Holliday | |
| 1944 | Gentle Annie | Mary Lingen | |
| 1945 | The Picture of Dorian Grayness | Gladys Hallward | |
| 1945 | They Were Expendable | Lt. Sandy Davyss | |
| 1946 | Faithful in My Mode | Jean Kendrick | |
| 1946 | Information technology'south a Wonderful Life | Mary Hatch Bailey | |
| 1947 | Green Dolphin Street | Marguerite Patourel | |
| 1948 | Across Celebrity | Ann Daniels | |
| 1949 | Chicago Deadline | Rosita Jean D'Ur | |
| 1951 | Saturday's Hero | Melissa | Alternative title: Idols in the Dust |
| 1952 | Scandal Canvass | Julie Allison | Culling championship: The Dark Folio |
| 1952 | Rainbow 'Round My Shoulder | Herself | Uncredited |
| 1952 | Hangman's Knot | Molly Hull | |
| 1953 | Problem Along the Manner | Alice Singleton | Alternative title: Alma Mater |
| 1953 | Raiders of the Vii Seas | Alida | |
| 1953 | From Here to Eternity | Alma "Lorene" Burke | Academy Award for Best Supporting Actress |
| 1953 | The Caddy | Kathy Taylor | |
| 1953 | Gun Fury | Jennifer Ballard | |
| 1954 | They Rode Westward | Laurie MacKaye | |
| 1954 | 3 Hours to Kill | Laurie Mastin | |
| 1954 | The Last Time I Saw Paris | Marion Ellswirth / Matine | |
| 1955 | The Far Horizons | Sacajawea | Alternative title: The Untamed West |
| 1956 | The Benny Goodman Story | Alice Hammond | |
| 1956 | Bribe! | Edith Stannard | Alternative title: Fearful Decision |
| 1956 | Backlash | Karyl Orton | |
| 1956 | Beyond Mombasa | Ann Wilson | |
| 1958 | The Whole Truth | Carol Poulton | |
| 1960 | Pepe | Herself (cameo) | |
| 1979 | The Best Place to Be | Sheila Callahan | Tv movie |
| 1983 | Deadly Lessons | Miss Wade | TV picture |
Television [edit]
| Year | Title | Role | Notes |
|---|---|---|---|
| 1954 | Ford Television set Theatre | Lydia Campbell | Episode: "Portrait of Lydia" |
| 1955 | Tales of Hans Anderson | Episode: "Wee Willie Winkie" | |
| 1957 | Full general Electric Theater | Rayna | Episode: "Light from Tormendero" |
| 1957 | Suspicion | Letty Jason | Episode: "The Other Side of the Curtain" |
| 1958–1966 | The Donna Reed Show | Donna Stone | 275 episodes |
| 1984 | The Love Boat | Polly / Gwen | Episodes: "Polly'due south Poker Palace" (Parts 1 & 2) |
| 1984–1985 | Dallas | Miss Ellie Ewing Farlow | 24 episodes (final appearance) |
Awards and nominations [edit]
| Year | Award | Category | Title | Result |
|---|---|---|---|---|
| 1953 | Academy Awards | Best Supporting Extra | From Hither to Eternity | Won |
| 1964 | Bravo Otto | All-time Female TV Star | The Donna Reed Show | Nominated |
| 1965 | Nominated | |||
| 1964 | Golden Apple tree Awards | Near Cooperative Actress | Won | |
| 1963 | Golden Earth Awards | All-time TV Star – Female person | The Donna Reed Show | Won |
| 2006 | Online Pic & Television Association | Idiot box Hall of Fame: Acting | Won | |
| 1959 | Primetime Emmy Awards | Best Actress in a Leading Role (Continuing Grapheme) in a Comedy Serial | Nominated | |
| 1960 | Outstanding Performance past an Actress in a Series (Lead or Support) | Nominated | ||
| 1961 | Outstanding Operation by an Extra in a Series (Pb) | Nominated | ||
| 1962 | Outstanding Continued Performance by an Actress in a Serial (Pb) | Nominated | ||
| 2004 | Television Land Awards | The Most Irreplaceable Replacement | Dallas | Nominated |
| 2006 | Nominated | |||
References [edit]
Citations [edit]
- ^ a b "Donna Reed Biography (1921–1986)". Film Reference. Retrieved December 6, 2015.
- ^ Field, Eunice. "My Story is Not for Children—or Prudes". Donna Reed Show. Archived from the original on August 27, 2008. Retrieved December 6, 2015.
- ^ "75-year history of Broadway Uncomplicated edifice celebrated". Denison Message-Review. March twenty, 2012. Archived from the original on Dec 3, 2019. Retrieved Apr 9, 2017.
- ^ Royce 1990, p. 2.
- ^ "Donna Reed Says Success and Dazzler Depend on Happiness Lane, Lydia". Los Angeles Times. Baronial 23, 1953. p. C9.
- ^ Bawden, James; Miller, Ron (2019). Conversations with Legendary Tv Stars. Lexington, Kentucky: The University Press of Kentucky. p. 275. ISBN978-0-8131-7765-half-dozen – via Google Books.
- ^ Monush, Barry (2003). Screen Earth Presents the Encyclopedia of Hollywood Movie Actors: From the Silent Era to 1965. Hal Leonard Corporation. p. 628. ISBN1-55783-551-9.
- ^ a b Michele Ingrassia (January 15, 1986). "The All American Daughter; Despite an Academy Honor-winning performance equally a prostitute in 'From Here to Eternity,' Donna Reed maintained an image of wholesomeness throughout her career". Newsday. p. 04.
- ^ Rohter, Larry (May 24, 2009). "Dearest Donna: A Pinup So Neat She Kept Thou.I. Mail". The New York Times . Retrieved Dec half-dozen, 2015.
- ^ Schallert, Edwin (March 26, 1944). "Donna Reed Hailed as 'Crown Princess': Thou.Yard.M. Seats Donna Reed on Crown Princess Throne". Los Angeles Times. p. B1.
- ^ "Donna Reed Talking to Scientist". Gettyimages.com . Retrieved December 2, 2017.
- ^ Royce 1990, p. v.
- ^ Thomas F. Brady (September iii, 1947). "Ii Will Produce Own Story every bit Film: Joseph Than and Anita Loos Plan to Offer 'White Dark' -- UA or RKO May Release It". New York Times. p. 31.
- ^ Donna Reed Will Play 'One Woman' Championship Office Schallert, Edwin. Los Angeles Times 1 July 1948: 23.
- ^ Schallert, Edwin (October 23, 1949). "Donna Reed Declares Self in Defection Against Sweet, Simple, Negative Roles". Los Angeles Times. p. D1.
- ^ Schallert, Edwin (June fifteen, 1950). "Drama: Lizabeth Scott to Play 'Raiders' Pb; Donna Reed Signs at Columbia". Los Angeles Times. p. B9.
- ^ Phillips, Gene D. (1999). Major Film Directors of the American and British Picture palace. Lehigh University Press. p. 118. ISBN0-934223-59-9.
- ^ Ames, Walter (September 22, 1954). "Clooney, CBS Huddling Over Radio Show; Donna Reed Meets Old Faces". Los Angeles Times. p. 28.
- ^ Schallert, Edwin (January 26, 1956). "Drama: Schary Selects 'Power and Prize' for Taylor; Gun Injures Donna Reed". Los Angeles Times. p. 31.
- ^ McMurphy, Jean (May 17, 1959). "ON THE Comprehend: Donna Reed Sets Up TV Household Donna Reed Sets Up TV Household". Los Angeles Times. p. g3.
- ^ Olson 2000, pp. 82–83.
- ^ "Don't Call The Donna Reed Show 'Situation Comedy'". Donnareedshow.com . Retrieved December 2, 2017.
- ^ Gilbert, Tom (December 27, 2011). "Donna Reed's show reflects an era when mother, too, knew best". Pittsburgh Mail service-Gazette.
- ^ a b Rona Barrett Remembers Donna Reed (1921–1986) on YouTube
- ^ "Life was better in 'Donna Reed' world". Catholic.org . Retrieved December two, 2017.
- ^ Smith, Cecil (Dec iv, 1978). "Donna Reed: Back Where She Wants to Be". Los Angeles Times. p. f1.
- ^ "Donna Reed Biography (1921–1986)". biography.com. Archived from the original on July 16, 2009. Retrieved Nov i, 2008.
- ^ a b "Donna Reed Loses Bid for 'Dallas' Part". The New York Times. June xix, 1985. Retrieved November 1, 2008.
- ^ a b "The Television Generation Mourns Its Favorite Surrogate Female parent, Tough simply Tender Donna Reed". People. Jan 27, 1986. Retrieved December 20, 2021.
- ^ Scott Royce, Brenda (1990). Donna Reed: A Bio-bibliography. Greenwood Publishing Group. p. vii. ISBN0-313-26806-1.
- ^ Handsaker, Cistron (March 27, 1971). "Donna Reed is dedicated to peace effort". Gettysburg Times – via Google News Archive Search.
- ^ Hevly, Bruce William; Findlay, John 1000. (1998). The Atomic West. University of Washington Press. p. 208. ISBN0-295-97716-seven.
- ^ "Her New Role: A Mother for Peace". Milwaukee Journal. Retrieved Jan 24, 2013.
- ^ Critchlow, Donald T. (October 21, 2013). When Hollywood Was Right: How Motion-picture show Stars, Studio Moguls, and Big Business Remade American Politics. ISBN9781107650282.
- ^ Kauffman, Pecker (2011-12-29) "Iowa Votes for Peace", The American Conservative, 29 December 2011
- ^ Alleman, Richard (2005). Hollywood the moving-picture show lover's guide : the ultimate insider tour to movie L.A. Broadway Books. p. 327. ISBN9780804137775.
- ^ "Donna Reed Foundation for the Performing Arts". donnareed.org. Retrieved November one, 2008.
- ^ Whye, Mike (2004). The Great Iowa Touring Book: 27 Spectacular Auto Trips. Large Globe Publishing. p. 37. ISBN1-931599-35-ane.
- ^ Fultz, Jay (1998). In Search of Donna Reed . University of Iowa Press. ISBN0-87745-625-9.
- ^ "Donna Reed Foundation for the Performing Arts". donnareed.org. Retrieved May 4, 2010.
- ^ "Now Playing: Donna Reed – (TCM Original) May 2010". tcm.com. Retrieved May iii, 2010.
- ^ "At present Playing: Donna Reed: Star of the Calendar month – (TCM Original) Mary Anne Owen". tcm.com. Retrieved May 26, 2010.
- ^ a b King, Susan (December 26, 2011). "Archetype Hollywood: 'The Donna Reed Show'". Los Angeles Times.
- ^ Kirby, Walter (April xiii, 1952). "Better Radio Programs for the Calendar week". The Decatur Daily Review. p. 48. Retrieved May eleven, 2015 – via Newspapers.com.
Sources [edit]
- Fultz, Jay (1998). In Search of Donna Reed . Iowa City, Iowa: University of Iowa Press. ISBN978-0-87745-625-4.
- Olson, James Stuart (2000). Historical Lexicon of the 1950s. Greenwood Publishing Group. pp. 82, 83. ISBN0-313-30619-ii.
- Royce, Brenda Scott (1990). Donna Reed: A Bio-bibliography. Westport: Greenwood Publishing Group. p. two. ISBN0-313-26806-ane.
- Tucker, David C. (2007). The Women Who Made Television Funny: Ten Stars of 1950s Sitcoms. Jefferson, North Carolina: McFarland & Visitor, Inc. ISBN978-0-7864-2900-4.
External links [edit]
 | Wikimedia Commons has media related to Donna Reed. |
- Donna Reed at IMDb
- Donna Reed at the TCM Movie Database
- Donna Reed at AllMovie
- Donna Reed at Find a Grave
- Donna Reed TCM Star of the Month May 2010
- The Donna Reed Foundation for the Performing Arts
- The Donna Reed Show
- Photographs and literature
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Source: https://en.wikipedia.org/wiki/Donna_Reed
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